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Andrew/Jesse
The skater pulled her laces and cried, her face contorted in agony. Her lace had broken, could she start her routine over? The Olympics had been big news that year, and this was the highlight event, Tonya Harding's program. Tonya had her thugs whack Nancy Kerrigan over the knee, in the hope that Nancy would be too injured to compete. That was the word that was everywhere: whack. The plan had backfired, Nancy skated despite her injury and in time the attackers would be caught and prosecuted. The competition had become an event of heightened international interest, and I was watching it from my hospital room. I had been admitted on Friday afternoon to have labor induced. By the time my son was born Sunday morning, I had been in labor for 27 hours. So Saturday was given up to watching the Olympics and trying to stay as comfortable as possible. I had been given an epidural, but it wore off before the hard labor came. As a result I was in a lot of pain and wanted some relief. Every time
UNITY vs. DIVISIVENESS
Is a text inclusive or divisive? Does it serve to unify ideas through common forms and archetypes, or does it use standard literary devices (such as the Other and the Feminine Myth) as a means of identifying the differences among people? Critics have positioned themselves on both sides of this issue, to persuasive effect regardless of where on the continuum the critic chooses to position hum or herself. This paper will first address the critical position of inclusiveness, then the polar opposite of divisiveness. Then it will address whether a synthesis of these two extremes can be achieved. In what ways does a text function as a comprehensive mechanism? On the most basic level, in order to communicate clearly with another, common agreement on meanings and terms is required: A common unitary language is a system of linguistic norms" (Bakhtin,1198). But in order for literature to function on a higher level it must be Intergrated in such a way that all the parts serve the whole.
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